Gene C

Hi Jasn, I printed out your PDF and have it up along with Steve's materials. It's a good tool and Looks good. I use it to help me pick out the 3 notes quickly AND continue with the rest of the pattern more easily. Two kinds of practice. Thanks, Gene C

@Fretless I hope you and yours are doing well as we approach the winter months and Christmas Season. Good time to practice if you can manage to keep your Acoustic from getting too dry from the lack of indoor humidity. There is so much to learn and the results are very rewarding when it all comes together. I was happy to hear that @Gary Nelson bought a ES-335 and he now got it cranked up. He had mentioned he was working on the Pentonic lessons from the Learn and Master Series just before the 2021 Gathering. My guess is he will reap the benefits of that study very soon when what he learned goes over to the ES-335. There are many videos on the guitargathering site you can learn from but Jazz keeps coming up in nearly everything lately so I thought I would concentrate on it for a while. The instructional video from the Fretboard Workout lesson covers about 35 chords up and down the neck that are frequently used in Jazz. Very informative stuff and a lot of it builds on what you probably already know. Good Luck on all your studies, tune in on the Live Lessons Tuesday evening- they're great. I really just wanted to say Hello from Kentucky and not end up doing an info-mercial, LOL Best Regards, Gene C

@Gary Nelson Glad to to hear you got it where you want it, Greg Voros has posted info on this site too if you want to look it up. He discussed humidity and truss rods in a thread 3-4 years ago. I need to have Greg look at a couple of my guitars during the 2022 Gathering. I am hopeful we ALL can get together without too much Covid concerns next year. I would like to try out the fall retreat, that seems to be a motivator me at this time. For my guitar learning I have been watching and working on the Fretboard Workout for JAZZ Chords. Now that I am retired it seems to soak in better and make sense, especially after seeing the Arpeggio live lessons of late. Steve is really providing a lot of good useful material and I enjoy learning from him. Enjoy your new guitar, she's a beauty. Definitely the rainy season here in KY too, it's knocking all the leaves off now so it's more yard work.(after I practice) Later, Gene

Hey Mr Nelson, Sorry to hear about the Halloween intonation you got going on, LOL. Steve Krenz has had his 335 half-of-forever and may be able to offer some tips on the issue. I don't have any experience with the Gibson and it's bridge mechanism. However, if you would like to BORROW my copy of the 3 DVD set by Learn and Master "Setup and Maintenance" starring Greg Voros text me and let me know. Take Care, Gene

WOW Gary, So glad to hear you have added to your collection. I have been ooglin the ES-335s myself since I saw GE Smith on Saturday Night Live doing his thing on his red one week to week. Keep up the good work on your Guitar choices, I know you did your research. Congratulations and Enjoy !

Mr Nelson sure asks tough but VERY good questions. My pencil erasers have become very worn just going through the "Ultimate How Music Works Quest" Quiz and worksheets. As usual some(lots) of it is over my head but thanks for the all the info Diane, it really helps. I think you are always spot on and timely with explanations that compliment my understanding of these concepts. I'm still trying to get around in Theory-Land and "Learn all I can"

I would guess that stage fright is not an issue if you are playing in front of 700 or so, keep up the good work! Merry Christmas, Gene in London, KY

William, I just got through watching the Belmont Group live lessons tonight on Youtube, the recorded version. I was a day late but it was just about as good as live and especially when Steve addressed YOUR question, it was great! I am 64 and with daily practice you CAN learn and perform the music you love. I've done it, you can too! Hang in there, Gene C

Has anyone seen the Guitar Gathering 2019 Itinerary ? I know it's somewhat early for it but I am sure it's going to be fun and fun. Just made the lodging arrangements and my wife and I are looking forward to another GREAT conference. Last year's tour of the CBS studio on Saturday morning was fabulous. Gene C, London KY

Diane, Thank you for all the summaries of retreat activities. I am glad for those that were able to attend and hope to one day say that I too am a happy camper. There is so much talent at these gatherings willing to freely share and build on the guitar learning experience. I attended the 2018 GG in June and I continue to review my notes and handouts. I echo the sentiments of Popeye, FRAY, Appledaddy and the rest of the crew, "You get an "A" on all parts." Thanks from London KY, hope to see you in June 2019. Gene C

Hello Colder, I read your post regarding the classical guitar with nylon strings and it sounds all too familiar. I started the L&M course in the Fall of 2011 and when I got to section 10 for Fingerstyle I thought "Hey this is something I REALLY want to do", so I ordered the L&M Fingerstyle set and worked my way through lesson 6. I bought the Jazz guitar book at the Gathering as an additional resource to use while I tackle lesson 7. With all that said, what I found is that going back and forth between the Yamaha classical guitar and the more narrow neck of the Taylor with these 2 lesson sets has helped stretch my left hand and made my right hand more accurate for both. I viewed a 2011 video in the Skills House of Steve describing his classical guitar. If memory serves me correctly, I think Steve has a Yamaha G245SZ he has been using since college. I too love the sound of Steve's classical in his various videos so I rescued a Yamaha C40 from the pawn shop for a hundred bucks and use it almost daily for practice. This guitar works fine and like you mentioned a Classical is a whole new way to play and in order to keep time accurately a metronome is needed until you can internalize the rhythm better. I have a love/hate relationship with my MATRIX MR500 Metronome but it does help solve timing issues. You can work around some of the timing by playing songs like Terrega's LaGrima that has a slower pace and that too is where the simple things can sound "great and musical". Bach also wrote for the Lute, an early gourd looking guitar. I like Jesu, Joy of Man's Desiring, and from his Lute suite in Em, Bourree. Steve has a nice arrangement you may like to try. Before timing you will have to get comfortable fingering worked out for the left hand. Give the progress time, it will come with persistence, see Wim VD's message above. Check with Steve Krenz to get it straight from the Master, this is all just my thoughts on fingerstyle. I hope you find this helpful, good luck in all of your guitar learning. If you have any questions for me let me know. Gene C

Hello from London, KY The Guitar Gathering 2018 was a fascinating learning experience. The entire 4 days were cram-packed with musical activity that concentrated on the guitar. The spot on seasoned musicians of the concerts and master-classes/workshops were so inspirational. Thanks to the staff, crew, and artists that made the gathering great. It was an honor to meet so many dedicated people that love music and experience it live. I hope to see Ray, Dale, Marion, Pat, Ken, Charlie, Collin, and all the fellow guitarists who I enjoyed meeting (just too many names to list) next year. Thank you Steve and Paulette for your passion for music and your dedication to our learning. Gene & Doris