Seldom have I ever listened to a more abject, boring presentation with such sophomoric analogies. I’ve been around this place for some time, and I’ve noticed that one of the most challenging skills we students face is learning to play with the “gnome,” that dreaded clicking monster. Let’s face why. We’re learning to fret and strum, and now we have to keep time (rhythm) with a humongous distraction of sound. The best way to keep time is with our tapping foot (left or right, just pick one). The problem is that our tapping feet aren’t calibrated in beats per minute. Fortunately we have two ways to overcome this inability. If we set a gnome to the b.p.m. we wish before we begin playing and get our foot in sync with it, then we can ignore the clicking sound and feel the beat with our feet. I use this method lots of times. If we play with a group, the beat is set by either the drummer or the bassist, and we can tap along with him. The other method is a commercial metronome called a Peterson Body Beat, which has a pulsing transducer we stick in our belt or shoe so we can feel its set b.p.m. I have one, but I’ve sorta gotten used to the first method. Now, I’m no guitar teacher like Steve, with whom I have an agreement: I won’t teach guitar and he won’t engineer designs of Navy ships; both students and our armed forces smile at this arrangement. I don’t own any Peterson stock, but as a student I do endorse the Body Beat. ‘Nuff said, and maybe too much. Lotsa luck.