Cindy

Nice site, Doug!

The explanation end of it to help you understand why you will encounter these types of chords is it's an Ab major chord in first inversion. An Ab chord is made up of the notes AbCEb. Initially the chords we learn such as C, G, D, A, etc have the root of the chord as the lowest sounding note. When a chord is in its first inversion, it means the 3rd of the chord (the C in your example) is now the lowest sounding note. So it is written as Ab/C An Ab chord in second inversion would be written as Ab/Eb meaning the Eb is the lowest sounding note. And if we are dealing with an Ab7 chord, there are a few times when you might see the chord in its third inversion which would have the 7th as the lowest sounding note...ie Ab/Gb. It's very weak to use the 7th as the lowest sounding note, but you might still encounter chords in their third inversion once in a while. The reason why we use chords in first, second, and third inversions is to create a smooth sounding bass line in the music. If we didn't, when jumping around between chords such as C-G-C, the bass can sound choppy. If we use the G chord in its first inversion, the bass line would sound as C-B-C (written as C G/B C).

We have to run the heater throughout the winter so it's always extremely dry in the house. I use case & soundhole humidifiers. Originally I started out with Humidipaks but now use the Boveda refills that fit inside the pouches. Boveda used to use the word humidipak in their advertising. Looks like they've removed that specific term now. They work the same as the original Humidipak replacements. And I use a case hygrometer--a Caliber IV Digital Hygromter by Western Humidor. I leave one in each compartment of the guitar cases.

Only the Original LMG course (created before the Bonus Workshops) had jam-along CD's. Originally there were the 20 sessions, DVDs for those sessions, and jam-along CD's for those original songs. Later Steve added the Bonus Workbook and Bonus DVDs, but he never made recordings of the Bonus material songs. If you go over to this other thread, you will find the original PDF of song speeds as well as an mp3 of Turkey in the Straw created by Dennis C for the LMG forum.

None of the songs in the Bonus Workshop had play-along CD's. When Steve created the original course, it contained the original book, 20 videos (on 10 DVD discs) to go with each of the 20 original sessions, and the jam-along CDs. He later added the Bonus Workshop book and additional 10 Bonus DVDs to accompany the original material but no jam-along CDs were recorded. Attached is the original list of BPM's. Some of the BPM's fell between my metronome's markings which is why they are listed with a range rather than a specific set speed. Both this PDF as well as the mp3 of Turkey in the Straw are available via MikeM's file sharing site that is linked in my signature. Back then, Dennis created a jam-along song for Turkey in the Straw. It's a slow to medium speed version (don't have a metronome right here to check its speed). It starts out with both the melody and backing track then the second time through is backing track only. I still chuckle when I hear this song--Dennis did a fantastic job making this mp3! I wasn't able to log into my Soundcloud account for LMG so created a new one. This will also be where I link forum submissions for future CDs. LMG BPMs for Jam Along CDs.pdf

One of our local stores used to carry Art & Lutherie (and still might). One of my friends bought an Art & Lutherie acoustic for their daughter many years ago, and I was quite impressed with its quality. And of course Seagull makes excellent acoustics as well. I'm not familiar with any that have electronics though. Yes, the mother company really does a great job!

Thanks for the info, Steve. Before I scrolled down the page to see what others were saying here, I tried to find online reviews but couldn't. I am going to buy a subscription now!

It's definitely cool! Question: did you do anything to prevent the video from automatically displaying on the forum? I thought Steve had this set up to do that automatically.

I'm not sure what initially sparked my interest in Taylor Guitars, but it had to do with a news article I read. Then when you began posting about your 714ce, it piqued my interest! Up until that time, I hadn't played one...or any big name such as Martin or Gibson. One day I decided to do a comparison between these 3 big companies. There wasn't anything tonally by Martin or Gibson that I liked; however, there were several Taylor models I absolutely loved! And as you continued to post about yours, my interest grew into a huge passion. Eventually I got one, then two, then...well...I had several. My favorite is my GA3 that I bought at a pawn shop. It has a small hole in its side and a number of dings on the top, but I have yet to find anything as pleasing as its tone. So thanks for giving me Taylor Guitar GAS! Now that I have this one, I no longer suffer from that affliction.

Hi rkl312. Sight reading involves more than just reading through music. Your aim is to be reading at least one or two notes ahead of where you are playing. Initially you won't be able to do that, but that should be your goal. Some people can read an entire measure ahead of where they are playing, but start by *trying* to read one note ahead. It's similar to keeping your eyes looking further down the road when you drive rather than to just look at what is immediately in front of your vehicle. And don't stop to fix mistakes. Try to keep an even tempo and play through an entire song without stopping. True sight reading involves reading a piece of music for the first time--never having seen it previously. But if you aren't regularly practicing a particular piece music, you can periodically pick it up and just run through it from start to finish. I have a music education degree. During my instrumental methods class (class to learn how to teach instrumental music), my professor told us what he did to teach his students how to sight read. He held up a sheet of paper over top of the music. As his students would sight read through the piece, he'd move the paper covering the notes the student was to be playing making them look ahead a beat or two. Give it a try. It's something you will need to focus on until it becomes second nature.

Taylor makes lefty guitars an option for at least some of their models. Finding one in a store might not be so easy though since there isn't a big call for them. And finding limited editions might be more difficult in lefty models, too. What is it about your Martin that makes you play it more?

We all have things we like and dislike about guitars (and manufacturers). So what company/companies are your favorites? And why? Personally I'm a big Taylor acoustic guitar fan. There's something about the tone of a Taylor acoustic that calls to me. I have yet to find a Gibson acoustic that I like. And as for Martin acoustics, the only one I ever liked was a laminated, low-end acoustic. None of their solid wood guitars have appealed to me when it comes to tone. And Bob Taylor sometimes leads the way when it comes to environmental concerns. Taylor Guitars no longer goes for prime ebony (unstreaked). When he saw a bunch of trees that were felled and lying on the ground, he asked why they weren't being used. The reply indicated the wood was streaked and that no one would want it. He decided to use those trees which is why there are more streaked fretboards on some of their guitars--which is something else I prefer. Plus their bolt on necks are terrific! So who do you like and why?

After members get their feet wet and understand a little about chords, they might be interested in Muriel Anderson's book Building Guitar Arrangements from the Ground Up. https://www.amazon.com/Building-Guitar-Arrangements-Ground-Up/dp/0793517885/ref=sr_1_1?s=books&ie=UTF8&qid=1515787427&sr=1-1&keywords=building+guitar+arrangements+from+the+ground+up Here is her arrangement of the Peanuts song:

I am speechless. I've never seen anything quite like it before!

Steve posted this link last year on the old forum. I don't own this, but hopefully some who do will chime in. https://gx169.infusionsoft.com/app/page/fretboardworkoutsspeed If you want to read the comments to his original post, you can go to the old forum here. I will paste what Steve wrote below. He wrote: Hello all, I've been working the last month on a series of workouts to help you gain increased speed and accuracy when you play. These are the exact exercises and drills that I do and that I run my private students through and I've seen great results with them. I've broken the exercises down into three 20-minute workouts - Basic, Intermediate and Advanced. They are meant to be used daily as needed to sharpen up your picking and coordination. All of the workouts start very slowly but increase in tempo throughout the course of the workout. Here's the breakdown... Basic Workout - Starts at Quarter Notes at 60bpm and takes you to Quarter Notes at 120 bpm. Intermediate Workout - Starts at Quarter Notes at 60bpm and takes you to Eighth Notes at 120bpm. Advanced Workout - Starts at Quarter Notes at 60bpm and takes you to Sixteenth Notes at 120bpm. Why Does Each Workout Start So Slow? The Short Answer: You can't get to your fastest speed without taking enough time to gradually, systematically ramp up the tempo. The Long Answer: It takes a time of warming up, stretching, and gradually increasing the tempo for your picking to get the fastest it will be. Think of it this way. A weight lifter doesn't wake up, walk into the gym, set the weights for the highest amount he's ever done and lift it successfully. The same is true with guitar. Without the gradual warmup, you never get to the highest speed you are capable of. Where Should I Start? Start with the basic workout. If you make it through without even missing a note then move to the intermediate workout the next day. IMPORTANT: Identify the Last Speed that You Were Able to Play the Exercise Consistently Correct - This is your LAST PERFECT SPEED. After this speed you will find that you consistently start missing notes. There is a specific, identifiable speed that you will find that you start to miss notes and have trouble keeping up. As you move past this point, you begin to miss more and more notes. The last speed that you were able to play the exercises consistently correct is the BPM that matters. Take note of it. Write it down. This is the BPM that you will start watching rise over the following days and weeks. (Don't waste your time trying to play way past the point where you start missing notes. It's useless effort.) How often should I do the workout? Do them daily for a while. Until you start seeing results. When Should I Start Seeing Results? About day 3 is when you start seeing results. It doesn't happen on the first day, or even the second. But usually by day 3 of doing the workout, you should start seeing your Last Perfect Speed start to increase. That's the payoff! Learn all you can. - Steve

Great info!

In the past, several supplemental music books have been recommended. Fake books are books that contain a melody line along with chords and sometimes lyrics (but no accompaniment).These are a few that members have used: Hal Leonard Easy Pop Melodies - https://www.amazon.com/Easy-Pop-Melodies-Correlates-Songbooks/dp/0793573858/ref=sr_1_1?s=books&ie=UTF8&qid=1515543612&sr=1-1&keywords=hal+leonard+easy+pop+melodies+guitar Hal Leonard More Easy Pop Melodies - https://www.amazon.com/More-Easy-Pop-Melodies-Correlates/dp/079357384X/ref=pd_bxgy_14_2?_encoding=UTF8&pd_rd_i=079357384X&pd_rd_r=5V3VY2AGMHJCC9A1KGQN&pd_rd_w=QXFlA&pd_rd_wg=V4KRQ&psc=1&refRID=5V3VY2AGMHJCC9A1KGQN Hal Leonard Even More Easy Pop Melodies - https://www.amazon.com/Even-More-Easy-Pop-Melodies/dp/0793532353/ref=sr_1_1?s=books&ie=UTF8&qid=1515543742&sr=1-1&keywords=even+more+easy+pop+melodies+guitar The above books used to be sold as a book/CD set, but I'm not sure if those are still available. The ones I linked are currently sold as a book only. Beyond Basics: Fingerstyle Guitar, Book & CD - https://www.amazon.com/Beyond-Basics-Fingerstyle-Guitar-Book/dp/0769200397/ref=sr_1_1?s=books&ie=UTF8&qid=1515543991&sr=1-1&keywords=mark+hanson's+beyond+basics+fingerstyle+guitar There are also a variety of The Real Book's which are fake books. Be sure to look at ones for C instruments if you are interested in any of them. These tend to be more of a jazz style. Here is a link for The Real Christmas Book - https://www.amazon.com/Real-Christmas-Book-Lyrics/dp/1423433874/ref=sr_1_8?ie=UTF8&qid=1515544130&sr=8-8&keywords=the+real+fake+book Mark Hanson and Muriel Anderson are a couple of guitarists/authors who have been recommended by other LMG members. One song that many fingerstyle players enjoy is Mark Hanson's Canyon Canon which is included in his book above Beyond Basics: Fingerstyle Guitar.

I had surgery for tennis elbow back in 2009. Afterwards, I had hand therapy (which is a specific form of physical therapy) to help strengthen those tendons. You'd think bicep and tricep exercises would help, but they aren't the types of exercises to address tennis elbow. The first video above is good for golfer's elbow (if the discomfort is on the underside of the forearm). But if people have pain on the top side, tennis elbow exercises help to strengthen the extensor tendons/muscles. Nice to see videos addressing arm/hand pain. Those forearm tendons/muscles are very small. They run down the forearms and attach to the fingers. Unfortunately they can be easily strained so stretching and rest are very important. Thanks @Six Stringfor a great reminder!

Very interesting video about Willie's guitar. So it's safe to say that Willie hasn't been afflicted with GAS? It just goes to show it's really the musician who creates the music, not the instrument. Thanks for the video.

Lol--reminds me of the mythological god Mercury with his winged feet! Maybe you have winged fingertips!

@sleepingangel you do want to learn the key signatures of the major keys and their respective relative minor keys (session 8) and be able to play the major scales (session 7). You don't need to know all the 13 diatonic chords in a minor key. Just keep in mind that minor keys may use raised 6th and 7th notes. From there, you should be able to figure things out.

So did you tenor guitar arrive today, Maria?

Hi Maria. There isn't any type of minor dominant 7th chord. A dominant 7th chord is a major triad with a minor 7th. Using your example of the E minor 7th chord, EGBD is made up of a minor triad with a minor 7th. So this chord is simply referred to as an E minor 7th. I think there is a little confusion over what is called a flatted 7th. It doesn't mean you put a flat sign in front of a note. It means you lower a note by 1/2 step. If I start with F# and want to flatten it, I don't wind up with Fb. I end up with F-natural. And with your example of EGBD#, it is a minor triad with a major 7th. The next info I give you will probably confuse you even more. So to answer your question, what I just said I'm hoping will be enough info. Now on to expand you mind a little with minor keys vs major keys. Take a look at this example using C major and its relative minor key of A minor. In any major key, there are 7 diatonic notes (diatonic meaning found naturally in the key). So in key of C major, we have the notes CDEFGAB which make up the C major scale. BUT when we look at a minor key, there are 3 different minor scales. The first example is the Natural Minor Scale. This is the scale that uses only notes found in the key signature. When we look at the second example of the Harmonic Minor Scale, there is a raised 7th note in that scale (G# in the above example). That means that all G#'s are used in chords making up the Harmonic Minor Scale. Then when you look at the Melodic Minor Scale, we see that not only is the 7th note of the scale raised 1/2 step, so is the 6th note. Is it important to know this? Not really. What IS important is this: in a major key, there are 7 diatonic triads: I, ii, iii, IV, V, vi, and vii-diminished. In a minor key, there are 13 diatonic triads: i, ii, ii-diminished, III, III+ (augmented), iv, IV, v, V, VI, vi-diminished, VII, and vii-diminished. Your chord of EGBD# comes from the Harmonic Minor Scale. Here is more info on 7th chords. https://en.wikipedia.org/wiki/Seventh_chord

Hi and welcome, Mark! Hopefully Diane will be able to help you, but if not, Steve should be able to assist you when he returns.