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Showing content with the highest reputation on 05/07/2020 in all areas

  1. Version 1.0.3

    10,394 downloads

    This is the PDF for the Barre Chords Workouts 1-3. Topics Covered: Proven Finger Strengthening Exercises Notes on the 6th String The Most Common 6th String Barre Chord Forms Notes on the 5th String The Most Common 5th String Barre Chord Forms Pro Tips for Building Endurance and Success with Barre Chords
    3 points
  2. Welcome Jogarman. You have advance quite a ways in the LMG course so you have considerable skills under your belt by now, so to speak. Just as you started learning how to strum rhythmically to a metronome, whole notes, half notes, quarter and so on-one- step at a time-so might you consider learning to sing along with your playing. Select a simple 3 or 4 chord song that you know well lyrically (or have the lyrics and chord chart visually close at hand) and go back to square one with your rhythm playing. Keep your strum playing simple, slow down and focus on the melody, hum at first if you need to, use the metronome. As you become more comfortable and familiar with integrating a third task while both hands are working their own actions, you can begin to advance to a more accurate tempo and advanced strum pattern. There is no fast track, just as there is no quick way to "learn and master" guitar but dedicate a small part of your practice each day to the task, perhaps at the end of your dedicated practice schedule. That said, I know some very skilled musicians who simply can't sing while playing, and it does become more difficult as the chord progressions become more complex. It is a learned skill however, so don't be discouraged if the challenge appears too daunting at first. Practice and patience is a virtue. Best of luck on this. Greg
    2 points
    I have been struggling with "clunk!"-sounding barre chords for years and did not realize that I was applying pressure incorrectly. For the first time last night, everything rang clear all the way up the neck ---on an acoustic guitar! Thank you, Steve K.
    2 points
  3. This is the reason I wish I knew about carbon fibre guitars earlier in my journey and how they're unaffected by humidity. I would replace my three wood acoustics with one Emerald X20 (or a Rainsong) in a hearbeat. Now it's too expensive to sell off the guitars and buy a carbon fibre one. They're hard to find on the used market too.
    1 point
    Pretty simple review, really. Anyone who's struggling with barre chords or having difficulty getting barre chords to work 'properly' needs to follow the guidelines and exercises in these .pdf pages and watch and follow along with Steve in the accompanying video. Oh... and they'll need to practice constantly and consistently. Daily is good, multiple times a day is better. Experience has taught that it's better to grab the guitar a few times a day, even for shorter periods than have long, drawn-out, tiring 'practice sessions' where focus often gets lost or distractions interfere. For example, perhaps grab the guitar for 5 - 10 minutes before getting ready for work in the morning ('wakes up' the fingers and the mind), a half hour 'regular' practice after work or dinner, then another 10 - 15 minutes before bed. Statistically that type of regimen works better for memory, dexterity, and neural pathway programming than a 2 hour session once a day or an 8 hour session once a week. A shorter, more frequent regimen better helps to retain 'muscle memory' and doesn't become tedious or boring. That's just the way humans work, really. Persistence is a 'failure to accept failure'. 😉
    1 point
  4. @Limatje yes but how's your music theory and finding notes on the fretboard? Session 1 and 2 are easy enough, but Steve doesn't spoon feed in this course He'll rattle off a lick in say in the 7th position on the video and he's not giving you a note/tab reference. And you have to play along He expects you to know you root, flat 3rd, flat 5th notes in any key quickly and be able to play them
    1 point
  5. You could tune it down a 1/2 step to Eb, of whole step to D to reduce the string tension and just play it until you find a luthier to look at it. You coulalso contact Fender for advice.
    1 point
  6. First, thanks to everyone that commented on this thread. It's always great to get advice from guitarists that know more than I do (which is probably most of you). By way of winding up this thread, I wanted to correct my original assumption that Steve uses 10s on his J45. I must have misunderstood his comment, leading me to believe he used lighter strings. During a recent lesson with Steve (more on that later), I was able to confirm that he uses Elixir 12s on his J45. 10s on his electrics. So on the one hand, I'm sorry if my misunderstanding caused any confusion, but on the other hand we were able to share a lot of great information, and for that I am thankful. Now - if you've never signed up for a personal lesson with Steve, you're missing out! If you are struggling with any guitar related topic, it's a fantastic investment!
    1 point
  7. Ha! It's all part of my evil plan! - Steve
    1 point

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