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Plantsman13

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Posts posted by Plantsman13

  1.  

    I just can't seem to sit in front of a computer screen and do on-line courses.. 

    but for some strange reason I can sit in front of a 50" tv and do Steve's.. go figure?  @Eracer_Team-DougH

     

    This response in the On Line Sites topic started me to question just how many of our GG group use aids / electronics to assist in practice.  I'm not looking for a BEST guitar, pedal, DI, or amplifier discussion; but creative methods for how we focus during practice sessions on a task and follow through on them.  Using Doug again, he has discussed his "practice set-up in the car over lunch" in the past.  I personally do not have an electronic system in place when I "woodshed".  I try to use an iPod with speakers for jam track playback because earbuds get in my way.  I own a Ditto looper but have yet to really blow the dust off of it.  Other members have mentioned video playback software that can slow things down.  

    Can fellow GG inspire other members to change the way they practice (for the better) by creative ideas?

    Bryan

     

     
  2. I cannot watch any screen while I'm working on improving my guitar skills.  I find it too distracting.  I will watch and review the "visual" lesson; then I will utilize the printed workouts with my guitar in hand.  When stumped, I will review the "visual" again in that specific area.   

    I am one with "too many irons in the fire" overall, but I like to focus on techniques and workouts that reinforce them.  Steve excels in that category for me.  I will say Steve's Finger-style course is one of the best I've worked on to date.  I also work on Tru-Fire acoustic blues courses and find them very rewarding.  I struggle when the Be Bop and Jazz element push them to levels of sophistication beyond my comfort level.

    I can add GuitarZoom.com to the instruction list; however, my complaint is the bombardment of sales pitches can become extremely annoying.

  3. @V7#5b9  I must agree there was wandering all over the "road" on this topic.  

    On the topic, I found the discussion of the fundamental differences in the approach (and the environmental changes in their lives) to making Sgt Pepper versus the White Album of particular interest.  Ringo's memory of the terrible speakers at EMI after all of these years made me chuckle.

    • Like 1
  4. Note on vote:  I keep Steve's L&M course materials around as reference and regularly pull out studies to refresh my mind and fingers.  I haven't officially finished; however, most of the material was completed along with progressing in the Fingerstyle course.  Jazz appears to be my kryptonite.  The Fretboard workouts have all been recent works in progress.   The Blues course has been the hardest to undertake, not for the difficulty, but the overall "vague" instruction I get from most blues oriented studies IMHO.

    • Like 1
  5. @Dave White  Tape breaking...not good!  And it always involved one of my favorite tapes; probably no coincidence!  My deck was mounted under the dash in front of the floor stick.  I do recall looking over the dash and feeling my way around while inserting tapes.  The invention of the "tape case" sure eliminated the sliding tapes around the passenger seat when those "hard turns with speed" were necessary.  ?

     

    • Like 1
  6. I might add it doesn't have to be two people, albeit singer/guitarist or two guitarists.  In acoustic blues you can have a melody lick that is then "answered" by the vamp with only one guitarist.  I'm sure others here can delve deeper than my over-simplification.

     

  7. I too have understood acrylic nails can have negative side effects on your existing nails.  My wife just concurred wholeheartedly.  I use the "pink tube" of Vaseline nail conditioner Steve recommended at a  LL; it does seem to reinforce my nails.  This raises the question of how fingertip picks are considered by GG members.  I see the metal and Alaska tips advertised and used by many guitarists.  Any comments?

    unnamed-5.thumb.jpg.b2417011cf70d6780317d9948a15321a.jpg

    • Like 1
  8. Pat,

    I also think of Joni Mitchell when talking of alternate tunings, but I'm not sure if DADGAD was one of them.  A fellow Canadian who plays in alternate tunings is Don Ross.  My fingers and hands tire just listening to him play.

    Mike's audio file above isn't a bad place to look either.  Nice on the ears.

    Enjoy your weekend

    • Like 2
  9. @Dave White  I think they are machined stainless steel (customization available) in several finishes.  There was talk of a satin finish to go with the polished one(s).  I recall the plastic/rubber piece can be replaced if necessary.  I have seen where Eric Skye uses the Elliot as well.  One reviewer noted, should last a lifetime...if you don't lose it.   I've never handled one, so thanks for your comments regarding weight.

    I too, have limited experience with a capo, but needed one while learning "John Barleycorn" with a local instructor.  Steve Winwood did a YouTube video of it (and one of "Can't Find My Way Home") on an acoustic in front of a "crackling" fire.  Really nice on the ears.

    Thanks,

    Bryan

    • Like 1
  10. Good morning,

    To go along with last night's show; here's a recent review in AG on a cradle style capo.  People mentioned the Elliot (sp) brand which comes at a hefty price tag, but this one looks to compete with the G7 dollar range.  I use a Shubb because it's footprint was smaller than Kyser and it was cheaper than the G7.  ?

    I have seen this type of capo used by fingerstyle artists with a strong emphasis on jazz.  I have since learned that great bluegrass pickers have supported this style over the years.  Can anyone comment on its pros and cons?

    Bryan

     

    P.S.  Bonus discussion of zero glide nut comes along for the ride

    AG311.pdf

    • Thanks 2
  11. @NeilES335  Jazz guitar isnt for the faint of heart but it is so cool and very rewarding to start thinking of yourself as a musician rather than  "just a guitar player"  When I feel down I just listen to Steve play or maybe Joe Pass or Wes and think to myself... I'll be able to do that one day...soon.

    I appreciate your love of jazz; but I don't believe jazz is a defining element of a musician who happens to play the guitar.  I am personally infatuated with the inclusion of jazz elements with the blues; but many an outstanding bluesman didn't utilize jazz in their work.  

     

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