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Triple-o

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Posts posted by Triple-o

  1. “No particular place to go” so we parked way out on the Kokomo. Seems like Kokomo shows a lot and it’s not the city in Indiana. Chuck Berry,The Beach Boys and The Grateful Dead to mention a few  have used the word. Then of course there is Joe Blow from Kokomo and I am pretty sure he doesn’t live in Indiana. I guess next year I will travel to Kokomo or better yet Timbuktu where I can sit in the bar and order a Kokomo on the rocks and listen to Ko Ko Mo Blues and  toss a magical stone in the deep blue sea. 

  2. “Spider Murphy played the tenor saxophone” . This line appears in  both “Jailhouse Rock” and “In the Midnight Hour. I  see where there was a convict band member called “Spider”  because he played the Sax as if he had “8 arms”.  I presume he  is the person Elvis,  Steve and Wilson were referring to.

  3. “I was born in a crossfire hurricane”  I read where Keith Richards was born during a WW2 German  air raid and that’s what the first line of the “jumping jack flash”  is alluding too. 
     

    At 80 he is still a pretty amazing guitar player. He’s the reason I started to spend most of my practice time in open G and D tuning. Hopefully,  when I am 80 I will be able to play “Little Red Rooster.”

     

  4. In 1956 Buddy and the Two Tones were sitting in the Cactus Theatre and heard John Wayne on screen say,”That’ll Be The Day” and as they say the rest is history. 
     

    The band, I believe was now Buddy and the Three Tones  but they needed a new name to avoid label problems playing their new song. Buddy thought that there were a few groups named after birds, so perhaps insects would provide a good name. It’s funny because they must have considered the name “Beetles” as they strolled over names like grasshoppers, moths, and wasps.before deciding on  “The Crickets”. I couldn’t help but notice the chord progression as I was looking at the sheet music and that peeked my curiosity to look at its history, Apparently they wrote the song in about 15 minutes. 

    https://www.youtube.com/watch?v=M4TfFTmITLo

    https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0070066

     

     


  5. It’s probably been 50 years since I heard this song.

    I don’t think there are many songs that starts with a harmonic. At first glance this song seems pretty easy. 

    https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0184312

    https://www.youtube.com/watch?v=RcZn2-bGXqQ

    https://genius.com/The-rolling-stones-angie-lyrics

    https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0063597

    https://www.youtube.com/watch?v=sREFTTqiIz4

     

     

  6. A few weeks ago I picked up my Mel Bay book and came across  a  exercise piece called a Sailors Hornpipe. It seemed like an interesting 5th position tune. I finally figured it out. Then I asked myself what’s a horn pipe? Having spent 4 years in the Navy I had never heard the term, I though maybe it was something like a busun pipe to boatswain whistle.Well curiosity got the better of me,so I googled it.

    https://www.youtube.com/watch?v=3y17a9dPT7Y

  7. Interesting topic.

    I always thought that the  melody notes alone were  the key to a solo. Simply, because most of the solos I like seemed to sound like  “unwritten melody” that could have easily been a part of the the song melody.

    I also used  to think the pentatonic scale  alone was the answer, then I found a solo for “Blue Eyes Crying in the Night” and it combined both E major and E minor pentatonic scales and it seemed to mimic the song melody.
    So, it seems there’s lots of options. Melodies, scales , combination of scales/ modes, chords, and chord tones. It not an easy task. I’ve heard some solos where they just play some common licks that have nothing in common with the song .The notes used  are correct but they are meaningless and don’t convey the feelings in the song.

    Then there are songs with minimal melody notes to draw from. I think in those cases you need to tap into the emotions of the song. One  song that comes to mind is  “Comfortably Numb”and its  first solo. The melody notes would never get you that solo. It seems like the  Bm minor pentatonic scales make up the notes of the solo but it’s obvious that just  having the right notes is not enough. The solo in that song ( for me) tapped into the emotions of the lyrics. The articulations used with those scale notes and the position played on the neck, in my opinion is what made  that solo just right for that  song.

     

    One book I  would recommend is “Soloing Strategies” for guitar by Tom Kolb.

    https://www.youtube.com/watch?v=6kFvhCFzoF8

     

    https://www.youtube.com/watch?v=_UXNSkg06VE

     

  8. “Faster than a speeding bullet! More powerful that a locomotive! Able to leap tall building in a single bound!” Boy!  was I disappointed to learn  it just means  “above” the tonic. I guess I should have learned Latin.

  9. The other day some tab through me a “curve ball” with bubd in the musical notation. Finally I realized that it must mean bend up bend down.  Bend and release. I guess you decide on whole step or half step etc.

  10. After 12 years I still find Mel Bays guitar method books a challenge. I am working on  “Minueto” from the Sonata OP 25 by Fernando Sor. (arrangement by Mel.) I was curious about the original music and if it would shed some light on the lesson. I noticed something odd in the original, “slashes” above and under the repeat sign. It appears they are just decorating the music.The 6th measure also has a couple of unknown marks.
     

    In Mel’s arrangement he inserted a chord that I can’t finger.  I couldn’t help but notice it wasn’t in F. Sor version, so I am pleased that  I can  comfortably edit my lesson. It never fails,I find something I like and there is always a fingering that’s impossible. 

    https://youtu.be/flPkp6kNJNQ

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