Han

Thanks Wim!

Just watched Steve’s lesson on jazz arpeggios. It didn’t answer a question I’ve had for years now: I still find it difficult to understand why one would want to play arpeggios all over the neck. In each position, with root on string 6, you can cover two octaves. Maybe add another set of arpeggios working from the fifth string. This means only two scale shapes to learn. No need for anything more. Or am I missing something?