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Plantsman13

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Everything posted by Plantsman13

  1. Pat, I also think of Joni Mitchell when talking of alternate tunings, but I'm not sure if DADGAD was one of them. A fellow Canadian who plays in alternate tunings is Don Ross. My fingers and hands tire just listening to him play. Mike's audio file above isn't a bad place to look either. Nice on the ears. Enjoy your weekend
  2. Pat, I would investigate Pierre Bensusan (sp) if DADGAD is your interest. He specializes in different tunings and DADGAD is one of them. Did I mention he is an amazing guitarist as well (and worth catching a live performance if possible)? Good luck in your search, Bryan
  3. @Dave White I think they are machined stainless steel (customization available) in several finishes. There was talk of a satin finish to go with the polished one(s). I recall the plastic/rubber piece can be replaced if necessary. I have seen where Eric Skye uses the Elliot as well. One reviewer noted, should last a lifetime...if you don't lose it. I've never handled one, so thanks for your comments regarding weight. I too, have limited experience with a capo, but needed one while learning "John Barleycorn" with a local instructor. Steve Winwood did a YouTube video of it (and one of "Can't Find My Way Home") on an acoustic in front of a "crackling" fire. Really nice on the ears. Thanks, Bryan
  4. Good morning, To go along with last night's show; here's a recent review in AG on a cradle style capo. People mentioned the Elliot (sp) brand which comes at a hefty price tag, but this one looks to compete with the G7 dollar range. I use a Shubb because it's footprint was smaller than Kyser and it was cheaper than the G7. ? I have seen this type of capo used by fingerstyle artists with a strong emphasis on jazz. I have since learned that great bluegrass pickers have supported this style over the years. Can anyone comment on its pros and cons? Bryan P.S. Bonus discussion of zero glide nut comes along for the ride AG311.pdf
  5. @NeilES335 Jazz guitar isnt for the faint of heart but it is so cool and very rewarding to start thinking of yourself as a musician rather than "just a guitar player" When I feel down I just listen to Steve play or maybe Joe Pass or Wes and think to myself... I'll be able to do that one day...soon. I appreciate your love of jazz; but I don't believe jazz is a defining element of a musician who happens to play the guitar. I am personally infatuated with the inclusion of jazz elements with the blues; but many an outstanding bluesman didn't utilize jazz in their work.
  6. @V7#5b9 Your middle name must be "clarity"! You have a real knack for making it easier to understand. Thanks, Bryan
  7. Steve, Anytime you can bring Bill back for another Live Lesson, feel free to do so. I found him to be very talented but personable, and willing to share his experiences as a musician. He definitely checked any "attitude" at the door. He came across as someone you could share a table over multiple cups of coffee and enjoy pleasant "guitar" conversation with for hours. Thanks for a great show. Bryan
  8. I think it reflects a "subtle" touch. It may have the same notes...but starting on any tone of the scale other than the root imparts a different feeling to the same scale when played. At least IMHO. You can resolve to the "G" to suit your ear; but running the scale in the chosen starting tone delivers something unique to that scale. I warm up starting with the E scale on the 12th fret (high E) and work the "modes" down the fretboard to resolve with the dorian starting with the 14th fret. I feel there is a difference. Bryan
  9. Acoustic Guitar has an article to follow-up on our conversation(s): https://acousticguitar.us13.list-manage.com/track/click?u=b4130e905b057bee1b2196ad0&id=1cda5775e6&e=ed7eab0c3f Enjoy, Bryan
  10. @Six String I hesitate to give a blanket endorsement of YouTube; otherwise, your post hits the mark! Well thought out, Bryan
  11. Great answers. The question that comes to mind, "Could all of those wonderful grandmothers out there have been better cooks if they had received formal training in how to cook"? I have a strumming guitar course I purchased where all of the sheet music states music by Guitar Guru and Transcribed by Kid in the BackRoom with Musical Training (mock humor intended). The inability to read and write music has not stopped many great musicians from being the legends they have become. I believe the ability to communicate with other musicians is a valuable asset to have in your guitar toolbox. I can't think of many instances it would work against you in a musical situation (except in my case of over-thinking and not letting my ear guide me). Enjoy your guitar journey, Bryan
  12. @randyh1953 That's a tough call indeed. I find many "learning" articles in AG are pushing my comfort envelope. However, I enjoy the guitar repair column currently running, and find new artists to explore on a regular basis. The Rhythm articles in the past two issues are available online to actually hear someone speak about the subject matter versus just the written word. I like to believe everyone gets something from reading outside source material. That said, if AG (or any other resource) annoys you, step back and evaluate if it's right for you at the current time in your learning path. Best of luck with your guitar journey, Bryan
  13. Steve, Thanks for clarifying. I try to resist just using tab without “learning” some of the associated theory behind it. Thanks again, Bryan
  14. Jazz chord forms pdf: On the 5th string inside voicing "Let's Practice", page 5: Should the Bm7 shown actually be Bm7(b5)? I've been practicing it as shown, but it dawned on me the m7(b5) form was missing, or in my feeble theoretical mind. ?
  15. @Dave White I find a screwdriver to be an interesting choice for such a job. Does he do this to get more volume or is it a personal preference on feel? My thoughts go to one of the auto detailing compounds in a medium grit, finished with a fine grit to remove the finish. Either way, I get squeamish at the prospect of doing it on one of my acoustics...but again, I will never play a guitar as he does. ?
  16. Happy Birthday ??? Thanks for all of your hard work on our behalf. It is appreciated!
  17. Okay, I'll ask the question: "How does a guitar speak to you when you're standing at ground zero?" I have never understood how you can make such a statement when you don't even know the most basic of chords. I personally believe you try to pick a guitar of decent quality to start the journey of playing a guitar. I see a lot of beginner guitars for sale on Craigslist. That said, find a guitar that feels good and start down the path of learning to play a guitar. When you feel that you are getting a handle on things.... then you can get into the process of getting a quality guitar you can be proud of playing. I marvel at stories of great players as Eric Clapton who played terrible guitars as they started down the path of learning to play guitar. It's not easy, but it's a path we all must travel.
  18. @Randy120 Real bummer, hope your recovery is quick. Right-hand technique should be a goal. Collin’s tremolo picking video, string skipping, and harmonics practice (a capo could be your left-hand) are just a few ideas. Then there’s always THEORY that needs some work. ? Best of luck, Bryan
  19. @ChrisJ032 Good question. There comes a time when we need to learn notes all over the fretboard. It’s possible to locate any note on any string by starting with the open string note and working up that string to find the note sought. Following that idea on all six strings will help you find that note’s location on the fretboard. Repetition has been my best teacher. I play a mind game where I want to find C on every string, and I try to achieve that goal without counting up. I’m not the theory guru, but I try to think in terms of octaves from where I’m at versus “high”. Hope this helps, Bryan
  20. Happy birthday! Hope you have better luck getting the wrinkles out of your “birthday suit” than I did this year. ? Take time to play some guitar today.
  21. @Randy120 Thanks for taking the time to clear up my question. I don't use polish, opting to use the detergent followed by the Express Shine. I use a low tack tape to mask the sound hole when 0000 steel wool is used to polish and clean the frets. I use a wide, soft-bristled paint brush to carefully remove any residue. All of the fretwork is worked on after applying the Express Shine as you mention. Enjoy your evening, Bryan
  22. @NeilES335 When quality tonewoods and time behave well together...it can be magical! Kind of like Forrest Gump and peas and carrots. ? On a serious note: The thought of someone like Vince Gill playing a Vintage Martin of the “dreams” era does give one goosebumps! Makes me think of a Stradivarius in the gifted hands of a world-class violinist... it would be loverly. ? I was thrilled toj enjoy a stringed quartet perform in Bavaria, in a marble hall, some works from Mozart and Brahms. It was heaven on earth. Our traveling companion posted on FB just how much he preferred Willie Nelson! Go figure. ?
  23. @Randy120 That covers my routine as well with the omission of the guitar polish. Taylor recommended the Turtle Wax Express Shine (no silicone). Why use the guitar polish and TWE-shine together? Bryan
  24. I agree with Neil's advice. If you purchased it new, and registered the guitar with Maton, you should be covered if there isn't a simple home remedy fix. Before I sit down to practice, especially with one of my acoustics, I put on a light cotton, long-sleeved shirt and roll the cuffs up. That's year round protection from grime/sweat buildup and my sensory distain for moisture on a glossy top. Wiping the guitar and strings down after every session is also part of the routine. Give a shout out to Collin Hill for Maton coding, that's his stock and trade. Best of luck, Bryan
  25. I'll go along with Hendrix, SRV, Deep Purple, and Gilmour (which is still my favorite). My problem is my favorite solos are just that, musical, and not limited by the guitar played. I've never been the Strat vs Les Paul vs Ric type of guy...just the OMG, what did that artist just do with that instrument in his/her hands. Bryan

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